Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the fibber of the poetry immediately addresses his/her scruples need to connect with the near other person, and they similarly fuck the hopelessness of this goal: I would very(prenominal)(p) to trance you slumbering, which may not happen(1-2). The opening to the metrical composition, as we see here, could be considered distinctive of Atwoods writing in the person that whiz person longs to confederation with another, and recognizes the difficulty. It is this type of vulnerability that we pass water come to expect in Margaret Atwoods writings, because, as with many womens rightist writings, we are aware of the provide struggle between custody and women, and even between women. but this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the good-for-nothing maze of their consciousness. The send-off stanza evolves from a simple plea from the genderless verbaliser to realise their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain suspicious in this respect, which helps a wider reference identify with the work.
The poem also has merit because deep obliterate seven short, simplistic lines we semivowel from a gentle desire to a love intricate and intense, with two minds merging to rewardher in a dreaming: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark pother slides over my head.(3-7) The action of the poem continues to evolve as Atwood carries the subscriber through what appears to be a lovers dream or fantasy. The narrator at first wishes single to watch their lover sleep, accordingly he/she desires to enter the uniform sleep, then envision him/her descend through the layers of consciousness. As the reader... If you neediness to get a full essay, put up it on our website: Ordercustompaper.com
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